Services

     The One Page Synopsis:  $100

The one page synopsis is a terrific learning tool that I encourage all writers to work with. Frequently, I find that a new writer has gone and written a whole script that has problems that could have been addressed easily if that writer had submitted a simple one-page synopsis of their story.

By jamming your entire story into a single page you will find yourself editing out extraneous material and focusing your narrative into a taut, coherent whole.

Whether you send your one-page to me or not I encourage everybody working on a screenplay to take a few minutes to try and boil your story down in a one-pager. You’ll find it an invaluable writing tool.

     Analyzing a Script:  $250

I’ll read your script and e-mail you a professional, honest evaluation of its saleability. I’ll also comment on its structure, characterizations, dialogue and anything else that I find troublesome.

As a result of my comments you may find you want further input from me in the form of the full Development Notes. If so, then $100 of this fee can be applied against the cost of Development Notes — on this draft (no fair rewriting and expecting a discount on a new draft).

     Development Notes:  $1000

I’ll give your script a rigorous examination and e-mail you a detailed analysis of your work page by page, scene by scene with specific suggestions about how to improve story, structure, action, characterization, dialogue, formatting and anything else I think needs to be done to improve your material.

I prepare detailed notes, usually around 10 pages – I won’t just critique your material – I’ll give you step-by-step directions on how to bring it up to professional standards.

Send your payment via PayPal using the Buy Now buttons and email a PDF version of your material to Mike@MikeCheda.com.

Follow-up:

After you read my thoughts about your material, I’ll be delighted to chat with you on the phone or via e-mail at no additional expense.

Analyzing a Concept:
FREE! 

The concept is the most critical element of a screenplay.

If you e-mail me your brief concept (real brief – we’re talking TV log line here) I’ll let you know if it’s commercially viable.